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a defence of poesie and poems-第9部分

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without versing; and a versifier without poetry。  But yet; presuppose it were inseparable; as indeed; it seemeth Scaliger judgeth truly; it were an inseparable commendation; for if 〃oratio〃 next to 〃ratio;〃 speech next to reason; be the greatest gift bestowed upon mortality; that cannot be praiseless which doth most polish that blessing of speech; which considereth each word; not only as a man may say by his forcible quality; but by his best measured quantity; carrying even in themselves a harmony; without; perchance; number; measure; order; proportion be in our time grown odious。

But lay aside the just praise it hath; by being the only fit speech for musicmusic; I say; the most divine striker of the senses; thus much is undoubtedly true; that if reading be foolish without remembering; memory being the only treasure of knowledge; those words which are fittest for memory; are likewise most convenient for knowledge。  Now; that verse far exceedeth prose in the knitting up of the memory; the reason is manifest:  the words; besides their delight; which hath a great affinity to memory; being so set as one cannot be lost; but the whole work fails:  which accusing itself; calleth the remembrance back to itself; and so most strongly confirmeth it。  Besides; one word so; as it were; begetting another; as; be it in rhyme or measured verse; by the former a man shall have a near guess to the follower。  Lastly; even they that have taught the art of memory; have showed nothing so apt for it as a certain room divided into many places; well and thoroughly known; now that hath the verse in effect perfectly; every word having his natural seat; which seat must needs make the word remembered。  But what needs more in a thing so known to all men?  Who is it that ever was a scholar that doth not carry away some verses of Virgil; Horace; or Cato; which in his youth he learned; and even to his old age serve him for hourly lessons? as;


〃Percontatorem fugito:  nam garrulus idem est。 Dum sibi quisque placet credula turba sumus。〃 {62}


But the fitness it hath for memory is notably proved by all delivery of arts; wherein; for the most part; from grammar to logic; mathematics; physic; and the rest; the rules chiefly necessary to be borne away are compiled in verses。  So that verse being in itself sweet and orderly; and being best for memory; the only handle of knowledge; it must be in jest that any man can speak against it。

Now {63} then go we to the most important imputations laid to the poor poets; for aught I can yet learn; they are these。

First; that there being many other more fruitful knowledges; a man might better spend his time in them than in this。

Secondly; that it is the mother of lies。

Thirdly; that it is the nurse of abuse; infecting us with many pestilent desires; with a syren sweetness; drawing the mind to the serpent's tail of sinful fancies; and herein; especially; comedies give the largest field to ear; as Chaucer saith; how; both in other nations and ours; before poets did soften us; we were full of courage; given to martial exercises; the pillars of manlike liberty; and not lulled asleep in shady idleness with poets' pastimes。

And lastly and chiefly; they cry out with open mouth; as if they had overshot Robin Hood; that Plato banished them out of his commonwealth。  Truly this is much; if there be much truth in it。

First; {64} to the first; that a man might better spend his time; is a reason indeed; but it doth; as they say; but 〃petere principium。〃 {65}  For if it be; as I affirm; that no learning is so good as that which teacheth and moveth to virtue; and that none can both teach and move thereto so much as poesy; then is the conclusion manifest; that ink and paper cannot be to a more profitable purpose employed。 And certainly; though a man should grant their first assumption; it should follow; methinks; very unwillingly; that good is not good because better is better。  But I still and utterly deny that there is sprung out of earth a more fruitful knowledge。

To {66} the second; therefore; that they should be the principal liars; I answer paradoxically; but truly; I think truly; that of all writers under the sun; the poet is the least liar; and though he would; as a poet; can scarcely be a liar。  The astronomer; with his cousin the geometrician; can hardly escape when they take upon them to measure the height of the stars。  How often; think you; do the physicians lie; when they aver things good for sicknesses; which afterwards send Charon a great number of souls drowned in a potion before they come to his ferry。  And no less of the rest which take upon them to affirm。  Now for the poet; he nothing affirmeth; and therefore never lieth; for; as I take it; to lie is to affirm that to be true which is false:  so as the other artists; and especially the historian; affirmeth many things; can; in the cloudy knowledge of mankind; hardly escape from many lies:  but the poet; as I said before; never affirmeth; the poet never maketh any circles about your imagination; to conjure you to believe for true what he writeth:  he citeth not authorities of other histories; but even for his entry calleth the sweet Muses to inspire into him a good invention; in troth; not labouring to tell you what is or is not; but what should or should not be。  And; therefore; though he recount things not true; yet because he telleth them not for true he lieth not; without we will say that Nathan lied in his speech; before alleged; to David; which; as a wicked man durst scarce say; so think I none so simple would say; that AEsop lied in the tales of his beasts; for who thinketh that AEsop wrote it for actually true; were well worthy to have his name chronicled among the beasts he writeth of。  What child is there that cometh to a play; and seeing Thebes written in great letters upon an old door; doth believe that it is Thebes?  If then a man can arrive to the child's age; to know that the poet's persons and doings are but pictures what should be; and not stories what have been; they will never give the lie to things not affirmatively; but allegorically and figuratively written; and therefore; as in history; looking for truth; they may go away full fraught with falsehood; so in poesy; looking but for fiction; they shall use the narration but as an imaginative ground…plot of a profitable invention。

But hereto is replied; that the poets give names to men they write of; which argueth a conceit of an actual truth; and so; not being true; proveth a falsehood。  And doth the lawyer lie then; when; under the names of John of the Stile; and John of the Nokes; he putteth his case?  But that is easily answered; their naming of men is but to make their picture the more lively; and not to build any history。  Painting men; they cannot leave men nameless; we see we cannot play at chess but that we must give names to our chess…men: and yet; methinks; he were a very partial champion of truth that would say we lied for giving a piece of wood the reverend title of a bishop。  The poet nameth Cyrus and AEneas no other way than to show what men of their fames; fortunes; and estates should do。

Their {67} third is; how much it abuseth men's wit; training it to a wanton sinfulness and lustful love。  For; indeed; that is the principal if not only abuse I can hear alleged。  They say the comedies rather teach; than reprehend; amorous conceits; they say the lyric is larded with passionate sonnets; the elegiac weeps the want of his mistress; and that even to the heroical Cupid hath ambitiously climbed。  Alas! Love; I would thou couldst as well defend thyself; as thou canst offend others!  I would those on whom thou dost attend; could either put thee away or yield good reason why they keep thee!  But grant love of beauty to be a beastly fault; although it be very hard; since only man; and no beast; hath that gift to discern beauty; grant that lovely name of love to deserve all hateful reproaches; although even some of my masters the philosophers spent a good deal of their lamp…oil in setting forth the excellency of it; grant; I say; what they will have granted; that not only love; but lust; but vanity; but; if they list; scurrility; possess many leaves of the poets' books; yet; think I; when this is granted; they will find their sentence may; with good manners; put the last words foremost; and not say that poetry abuseth man's wit; but that man's wit abuseth poetry。  For I will not deny but that man's wit may make poesy; which should be 'Greek text'; which some learned have defined; figuring forth good things; to be 'Greek text'; which doth contrariwise infect the fancy with unworthy objects; as the painter; who should give to the eye either some excellent perspective; or some fine picture fit for building or fortification; or containing in it some notable example; as Abraham sacrificing his son Isaac; Judith killing Holofernes; David fighting with Goliath; may leave those; and please an ill…pleased eye with wanton shows of better…hidden matters。

But; what! shall the abuse of a thing make the right use odious? Nay; truly; though I yield that poesy may not only be abused; but that being abused; by the reason of his sweet charming force; it can do more hurt than any other army o
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